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‐TheSDIformat,technicallyknownasCCIR‐601or601,issuperiorinqualitytocomponentanalog
videoandisthestandardinprofessionalandbroadcasttelevision.
‐Becauseitisdigitalanduncompressed,itcanbeeditedandcopiedmanytimeswithnodetectable
lossofquality.
‐Originallymeantforstandarddefinition,butahigh‐definitionversion,HD‐SDI,isgrowingin
popularityasHDbecomesmorecommon.
‐SDIistypicallyonlysupportedinhigh‐endgearandcanbeexpensive,especiallyforSDIvideo
monitors.
‐Thevideo,andsometimestheaudio,iscarriedinasingleBNCcable.
•Digitalaudio:
‐Therearemanydifferentdigitalaudioformats.
‐Consumer‐gradedigitalaudioiscarriedonelectronic(suchasS/PDIF)oroptical(suchassquare
TOSlinkorroundMiniplug)connectioncables.
‐Digitalvideocarriesanembeddeddigitalaudiosignalwiththedigitalvideosignal.‐Themost
commonprofessional‐gradedigitalaudioformatisAudioEngineering
Society/EuropeanBroadcastingUnion(AES/EBU).AstereochannelofAES/EBUcanbetransmitted
oversingleBNCorsingleXLRconnectioncables.
Choosingtherightcapturecodec
Whenyoucapturecontent,youmustchooseanappropriatecodec.Thechoicedependsonthecapture
hardwareyou’reusing,theformatfromwhichyou’recapturing,andyourstoragerequirements.
Therearethreebasictypesofcodecstochoosefrom:DV,MotionJPEG,and
uncompressed.
1.DVcodecs:
‐IdealwhencapturingfromaDV25deck.OveraFireWireconnector=perfectcopy.‐Thedatarateof
DV25isn’tquiteenoughforoptimalencodingfromsourcewithanalognoise
‐The4:1:1colorspacealsoentailsalossinquality.
2.MotionJPeGcodecs
‐Havebeentheleadingformatforhigh‐endvideo‐editingsystemsforsometime.