Manual-3
Mic Section
MIC LEVEL sets the gain of the
Mic Input. e range is o to +44
dB. ere is no engage switch, so set
the Mic Level to zero (0) when you
aren't using it. e Mic Input mini-
mum gain is 26 dB, so a line-level mic
source (such as a wireless receiver)
must be padded.
e OL indicator lights 6 dB before
clipping. Adjust the Mic Level so the
OL indicator ashes only when you
really shout into the mic.
MIC HIGH and LOW tone controls
provide as much as 12 dB of boost or
12 dB of cut. ese controls have no
eect when the controls are set to their
center detent (12 o'clock).
+12-12
+12-12
OL
100
RL
+6OFF
100
64
2 8
64
2 8
100
64
2 8
OL
+8
+4
+2
0
–4
–2
–8
–16
–24
PERFORMANCE MIXER
100
64
2 8
+6OFF
+6OFF OUT
IN
OUT
RL
OUT
IN
OUT
+6OFF
+6OFF
+6OFF
MIC LOW
MIC HIGH
AUX IN
OUTPUT
LEVELS
MAIN
SOURCE
PGM 1 PGM 2
21
AUX OUT
PANHIGH
PHONES
MID
EQ
GAIN GAIN
LOW
SOURCE
43
HIGH
MID
LOW
PGM 1
CUE
PGM 2DRY
FlexFX
WET
MASTER
CUE
SLOW
FADER 1 CONTOUR
FAST SLOW
FADER 2 CONTOUR
FASTSLOW
CROSSFADE CONTOUR
FAST
MIC LEVEL
CHANNEL
SWAP
REVERSE
REVERSEREVERSE
EQ
PAN
KILL KILL
STEREO HOUSE
MONO PGM1 / PGM2
PGM 1 PGM 2
EQ switches engage the 3-band tone
controls. EQ switches may be used
in conjunction with the High, Mid
and Low controls as “kill” switches by
turning any or all of them O. Set the
rotary controls and ip the switch.
HIGH tone controls aect frequencies
above 4 kHz. e range of control is
+6 dB to O (full kill). e center de-
tent position leaves this lter inactive.
is lter is just above the vocal range,
and can make small tonal changes, or
eliminate high frequency signals.
MID tone controls aect frequencies
from 300 Hz to 4 kHz (vocal mid-
range). e range of control is +6 dB
to O (full kill). e center detent po-
sition leaves this lter inactive. Use for
small tonal changes or to cut midrange
signals.
LOW tone controls aect frequen-
cies below 300 Hz. e range is +6
dB to O (full kill). e center detent
position leaves the lter inactive. ese
lters inuence signals below the vocal
range. Use to adjust or eliminate bass
beats.
PAN controls adjust the Left and
Right balance of PGM 1 and PGM 2.
KILL switches provide quick program
mute, much like the Transform switch-
es on the previous TTM 56. e signal
is ON in the up postion, the straight
out position Kills the signal.
Aux Input
AUX IN adds another line-level input
to the mix. is input comes in after
the Crossfader and FlexFX Loop.
FlexFX Loop
FlexFX switches send PGM 1, PGM 2
or both to the stereo eects loop. e
eects loop is post-fader and post-
crossfader. You get great results when
using the program faders or crossfader
with reverb or other delay eects. e
eects loop provides separate stereo
send and return jacks. e green indi-
cator lights when FlexFX is engaged
for either Program.
WET/DRY pan control lets you set
the amount of eect in the mix. DRY
equals no eect, WET gives maximum
eect.
Output Levels
MASTER control sets the level for
both the unbalanced and balanced
Master Outputs.
AUX OUTPUT control sets the level
going to the Auxiliary Outputs.
AUDIO PRECISION vs
-20
-18
-16
-14
-12
-10
-8
-6
-4
-2
0
2
4
6
8
10
12
14
16
18
20
AMPL(dBr)
20 100 1k 10k 50k
FREQ(Hz)
Low +12, High +12
Low 0, High 0
Low -12, High -12
Combined response of the Mic tone controls
Program Sections
PGM 1 inputs are sent to the left side
of the crossfader. (with the Fader 1
Reverse switch out and LED o )
PGM 2 inputs are sent to the right
side of the crossfader. (with the Fader 2
Reverse switch out and LED o )
SOURCE switches select which inputs
are assigned to each of the Programs.
PGM 1 can switch between inputs 1
and 2. PGM 2 can switch between
inputs 3 and 4.
GAIN controls adjust the signal level
before it gets to the Faders. Set the
Gain controls to indicate an average
signal level of +4 on the meter with the
program faders set to maximum. Don't
use the Gain controls to set the output
level...use the Main Level control to set
the output level. is is a very simple
thing, yet makes a huge dierence in
mixer performance.
